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Grafting – Wanlie Project
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Grafting

Suyu Chen

2021, PVC tube, sterling silver, resin clay, enamel paints, gesso, cotton, silk thread, 12.5 x 6.5 x 5cm, photo credit to Jiageng Lin

“It is an interaction between objects and myself: my work is focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining. By composing jewelry works which relate to forms and marks, I explore the relationships between practices and self-awareness, artificial objects in traditional arts and modern mass production. The similarities between traditional art-making processes, industrial production, and art training which I have received, which all required great amounts of repetitive actions, led my interests towards experimental practices of combining artificial objects. By exploring my cultural background, and the idea of modularity in the art fields, my work focuses on the repeated use of the same component, PVC electrical conduits, to create both wearable and sculptural objects.”

Chen_Suyu_portrait-scaled

Originally from the south of China, Suyu Chen is a contemporary jewelry and craft artist based in Rochester, NY after graduation from the MFA program at Rochester Institute of Technology (Rochester, NY). Her works are inspired by her personal experiences of living in different places and relationships of her cultural background. Through repetitive experimental explorations of alternative materials and fine metal practices, her works got unique consequences and forms. Suyu received a BA from Guangzhou Academy of Fine Arts, China, majoring in Decorative Arts and Design in 2015. She also studied at RISD (Providence, RI) and Kunstuniversität Linz (Linz, Austria). Suyu has exhibited her works nationally and internationally.

Elephant Mass

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